Bong Joon-ho’s 2000 feature film debut, Barking Dogs Never Bite, is a master class in dark comedy. It begins with a barking dog, ends with a professorship bought with cash in a cake box, and in between includes sun-dried radishes, a shadow man in a basement, a high-speed chase through an apartment complex, and two murdered dogs. It’s funny and tragic and surprising and stirring. We watched it on a DVD that came in the mail. O, those year 2000 days.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Looking: tales must contain haecceities that are not simply emplacements, but concrete individuations that have a status of their own and direct the metamorphosis of things and subjects.
We did something we haven’t done in about fifteen years and watched an M. Night Shyamalan movie. Old follows a family on vacation at a posh tropical resort where things take a nightmarish turn after they’re taken to a secluded beach reserved for “special” guests and discover that they’re aging extremely rapidly. Spoiler alert: Joe is an M. Night Shyamalan apologist!!
Looking: Between the extreme slowness and vertiginous speeds of geology and astronomy, Michel Tournier places meteorology, where meteors live at our pace: “A cloud forms in the sky like an image in my brain, he wind blows like I breathe, a rainbow spans the horizon for as long as my heart needs to reconcile itself to life, the summer passes like vacation drifts by.Looking: Aeon: the indefinite time of the event, the floating line that knows only speeds and continually divides that which transpires into an already-there that is at the same time not-yet-here, a simultaneous too-late and too-early, a something that is both going to happen and has just happened.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
The survival of the commune is the reproduction of all its members as self-sustaining peasants, whose surplus time belongs precisely to the commune, the work of war etc.
“A Filmed Adaptation of the Chivalric Romance by Anonymous,” emblazoned across the screen in old-timey font, is how we’re introduced to David Lowery’s The Green Knight. The film is based on the Medieval poem “Sir Gawain and the Green Knight,” and we follow the legendary knight of King Arthur’s round table as he takes part in a pretty fucked up “Christmas game.” What follows is a fever dream involving bandits, an undead saint, giants, a talking fox, a magical belt, and a dangerous trudge toward his own beheading. We were into it.
PS – Cheryl mispronounces “Gawain” throughout the whole episode so….apologies!!
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
The survival of the commune as such in the old mode requires the reproduction of its members in the presupposed objective conditions.
Production itself, the advance of population (this too belongs to production, necessarily suspends these conditions little by little; destroys them instead of reproducing them etc., and, with that, the communal system declines and falls, together with the property relations on which it was based. [Ed note: not exactly].
The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him. – Guy Deborrd
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.Ideas improve. The meaning of words participates in the improvement. Plagiarism is necessary. Progress implies it. It embraces an author’s phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea.
We decided to take a break from movies to talk about the heaviest of heavy subjects — evil. Using Claudia Card’s 2002 treatise, The Atrocity Paradigm: A Theory of Evil as our jumping off point, we did our best to think through the present-day utility of this very loaded word. It’s complicated.
Topics covered: capitalism, climate change, radical feminism, the relationship between language and political action, Kant, Joe’s philosophy of everything.
The “American” dream is the dream of a new memory.
“Ya’ll want to hear a story about why me & this bitch here fell out???????? It’s kind of long but full of suspense.”
And so Zolabegins. Based on an epic, viral 2015 Twitter thread written by A’Ziah King and dubbed by fans as #TheStory, Zola is INTENSE. We talk through the movie’s representation of sex work, its multiple tonal registers, the stellar performances, and this new era (?) of social media-sourced movie making.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
From its poets to its industry of spectacle, from Whitman, Pound, and Olson to the Hollywood blockbusters both pre and post-9/11, at the center of the USAmerican imaginary is the dream of creating an artificial memory. -Heriberto Yépez, The Empire of Neomemory.
Apparently on May 31, the evening of the final episode of Mare of Easttown, HBO Max’s servers crashed for several hours because the show’s popularity had grown so much that more people were logging on than the servers could handle. That’s successful word of mouth, babyyyy!!
We couldn’t help but get caught up in this mystery / police procedural / small town tragedy / family drama too. In this episode we cover nailing dialects, career-topping performances, copaganda, trauma’s aftermath, and the need for more amateur sleuth stories. And Wawa!
Sam Levinson’s 2021 Malcolm & Marie is a pandemic movie in that it’s about two people at home who fight, cry, and make mac & cheese. It’s also not a pandemic movie in that it opens with them returning from Malcolm’s movie premiere, presumably with lots of people hugging and breathing on each other. Also, they both stay in their fancy clothes entirely too long after getting home.
We get waaay off course during this conversation and spend some time talking about their gorgeous floor-to-ceiling windows and the general nature of sadness. But that’s what you’re here for, right???
Two For Space Jam, Please 