It’s 1984 but it’s also 2023 and we’re afraid of dying and fumbling our way to survival and it’s goofy and tender with an airborne toxic event still keeping us up at night.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
After a looooong hiatus, we’re (finally!) back. And we missed you. We watched Triangle of Sadness, one of the more recent iterations of the increasingly popular eat-the-rich theme, and talked all about representations of class struggle, villianizing billionaires, and the kinds of dismantling capitalism stories we wish were being made.Â
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Vesper is viscous, gooey, slipshod, and visceral. Ferny plants shoot lethal, glowing pink darts that burrow into you and turn into insects. Scavenging pilgrims build rubbish towers high into the sky. A floating orb holds the consciousness of a bedridden man, and a 13-year-old girl plays with plants to have some shot at survival. Yes, we enjoyed this one.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Our biggest piece of advice if you’re planning a hurricane party with your friends in a mansion for the weekend – Put. Away. The swords. We watched Bodies Bodies Bodies and talked about funny horror and killer parlor games. And also – what are people in their twenties like again??
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
It’s 1997 and our queens Parker Posey, Toni Collete, and Lisa Kudrow are at the height of their powers playing temps trying to survive in a mind-numbing cubicle hellscape. Clockwatchers, another entry in our ongoing series on labor movies, feels prescient in its representation of disposable workers that sadly still holds true today. Bonus: we reminisce about a few of our own past jobs! There’s some, uh, pallet smashing.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
For this episode we joined the Bob’s Burgers crew in their quest to pay one month of their business loan payment and solve a grisly murder. It’s sweet and gross and comforting and touching. The Belchers – they’re just like us!
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
In Alex Rivera’s 2008 sci-fi drama Sleep Dealer, people are plugged into a global computer network via nodes on their bodies, work involves controlling your robot avatar in another country, and memories are sold to pay back student loans. It’s the near future!!
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Hey, it’s Joe. I’m not used to writing these episode recaps and, well, we watched the 2021 movie The Humans (based on the 2015 play) and it was, uh, full of sad but also enduring humans.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
In this house, we stan Robert Pattinson. Even when (especially when) he plays an angsty, brooding, eyeliner-wearing, journal-writing Bruce Wayne who probably listens to The Cure.Â
The movie theater was packed when we got there and we were worried The Batman was sold out. Turns out, all the teenage girls and their moms were there for BTS Permission to Dance on Stage. They were positively giddy. Honestly, we’re happy for them.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
We were a wee bit disappointed in Jean-Pierre Jeunet’s newest film, Big Bug, which is maybe why we spent most of this conversation talking about the end of empire and fabulist futures. But we connect it all back to the movie somehow, we do!
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
Get in touch with Joe & Cheryl at twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Mr. Paul Thomas Anderson is back, this time with an oddball love story that’s soaked in nostalgia, the 70s, and the screwy exuberance of being young and confused. The pants are tight. The music is excellent. And waterbeds abound.
Thanks to slfhlp for providing SICK BEATS for our intro and outro.
As always send your comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Is The Pizzagate Massacre the best movie about the Trump era, as this Vice News article contends? We say….possibly? It’s certainly a scathing indictment of Alex Jones-type media personalities who peddle the kind of mistruths that lead to actual, tragically real violence. The movie drops us squarely into an environment of hyperparanoia, total distrust, white supremacy, and guns-as-the-answer-to-everything. There are lots and lots of guns. Join us on this disturbing journey into the psyche of a subculture.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Dune. DUNE!! We’ve been waiting to watch this one and whoo boy, do we have things to say. We get deep into Denis Villeneuve’s top-notch world-building, the ecstatic experience of surrendering to beauty, the huge problem of the chosen one savior narrative, space witches, sandworms, climate disaster, and Timothee Chalamet’s jawline. One of our big takeaways – there are no good imperialists!
Bong Joon-ho’s 2000 feature film debut, Barking Dogs Never Bite, is a master class in dark comedy. It begins with a barking dog, ends with a professorship bought with cash in a cake box, and in between includes sun-dried radishes, a shadow man in a basement, a high-speed chase through an apartment complex, and two murdered dogs. It’s funny and tragic and surprising and stirring. We watched it on a DVD that came in the mail. O, those year 2000 days.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
Looking: tales must contain haecceities that are not simply emplacements, but concrete individuations that have a status of their own and direct the metamorphosis of things and subjects.
We did something we haven’t done in about fifteen years and watched an M. Night Shyamalan movie. Old follows a family on vacation at a posh tropical resort where things take a nightmarish turn after they’re taken to a secluded beach reserved for “special” guests and discover that they’re aging extremely rapidly. Spoiler alert: Joe is an M. Night Shyamalan apologist!!
Looking: Between the extreme slowness and vertiginous speeds of geology and astronomy, Michel Tournier places meteorology, where meteors live at our pace: “A cloud forms in the sky like an image in my brain, he wind blows like I breathe, a rainbow spans the horizon for as long as my heart needs to reconcile itself to life, the summer passes like vacation drifts by.Looking: Aeon: the indefinite time of the event, the floating line that knows only speeds and continually divides that which transpires into an already-there that is at the same time not-yet-here, a simultaneous too-late and too-early, a something that is both going to happen and has just happened.
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
The survival of the commune is the reproduction of all its members as self-sustaining peasants, whose surplus time belongs precisely to the commune, the work of war etc.
“A Filmed Adaptation of the Chivalric Romance by Anonymous,” emblazoned across the screen in old-timey font, is how we’re introduced to David Lowery’s The Green Knight. The film is based on the Medieval poem “Sir Gawain and the Green Knight,” and we follow the legendary knight of King Arthur’s round table as he takes part in a pretty fucked up “Christmas game.” What follows is a fever dream involving bandits, an undead saint, giants, a talking fox, a magical belt, and a dangerous trudge toward his own beheading. We were into it.
PS – Cheryl mispronounces “Gawain” throughout the whole episode so….apologies!!
Thanks to slfhlp for providing us some SICK BEATS for our intro and outro.
As always, send yr comments, questions, and movie suggestions to twoforspacejamplease @ gmail.com and subscribe on iTunes or Spotify.
The survival of the commune as such in the old mode requires the reproduction of its members in the presupposed objective conditions.
Production itself, the advance of population (this too belongs to production, necessarily suspends these conditions little by little; destroys them instead of reproducing them etc., and, with that, the communal system declines and falls, together with the property relations on which it was based. [Ed note: not exactly].